These comprehensive instructions are intended
for owners of small roll-playing organs. They were written by
Hal O'Rourke, the American
agent for Josef Raffin, and cover every aspect of organ maintenance. Although
written for Raffin organs, the instructions are relevant to almost all roll
playing organs where the roll is not contained in a pressure box. The
majority of the instructions are also relevant to keyless book-playing
organs.
These instructions are designed for those owners who have little or no
knowledge of organ tuning and maintenance, but who want to keep their organs
in tip-top playing condition. Inexperienced owners should read through the
instructions carefully before messing about with the organ, and do not attempt
any adjustments unless you feel confident to do so.
Maintenance and Adjustment
The most common fault on all keyless organs is bad note repetition.
This is usually caused by the tiny bleed holes in the mechanism getting gradually
clogged up with dust. Because the deterioration is gradual it frequently
goes unnoticed by the owner, but is usually painfully obvious to anybody
else listening to the organ. The problem can easily be corrected by unscrewing
the bleed screws very slightly, to expand the holes back to their correct
size. If a note fails to play at the proper time or stays on continuously
when it is not supposed to be playing, that problem also could be due to
improper bleed screw adjustment. The Raffin test roll supplied with the organ
is not suitable for accurate regulation of the bleed screws. This is because
the repetition section of the roll is far too slow to provide a useful test
of the organ's state of adjustment. A proper test roll will allow the organ
to be cranked at the usual playing speed, allowing the adjustments to be
made at the normal air pressure. I highly recommend the action test rolls
available from Melvyn Wright. They provide two repetition speed tests, and
give the organ a much better 'work out', and very accurate regulation is
possible.
If the organ is not playing properly, check the following before performing
any adjustments: If notes play when they shouldn't, be sure you have a tight
seal between the paper roll and the tracker bar. Make sure the grooved roller
is riding on the paper and doing it's job. If notes don't play when they
should, be sure the holes in the paper align correctly with the holes in
the tracker bar.
Locating the Bleed Screws
On 20 note organs (both pipe organs and reed organs) the adjusting screws
are under the front half (not normally opened part) of the hinged top. Remove
the four wood screws and remove the entire top. Use the correct size screwdriver
or you will damage the wood. You can now see the top of the valve chest and
the adjusting screws numbered to correspond with the notation on the test
roll.
On 31 note organs you can see the bleed screws by looking down into the organ
from the normal playing position. Some can be adjusted fairly easily with
a long screwdriver, while others require completely removing the top. The
screw marked D stands for 'Dirigent', and controls the optional conductor
figure if applicable. I should also mention that the tracker bar on the 31
note organ contains 32 holes. The first hole, which I refer to as hole number
zero, controls this optional feature. Melvyn Wright's test roll has a sequence
to test this valve.
Adjusting the Bleed Screws - General
Rules
If a note does not play, or some of the repetitions miss playing when cranking
the test roll, turn the screw in (clockwise). If a note plays all the time,
or fails to stop abruptly when the tracker hole is closed, turn the screw
out (anti-clockwise). A half turn is a BIG adjustment. Normally only a quarter
or eighth turn is required. I always remember where I started so I can return
the screw to the original position if the adjusting does not seem to be having
any effect. This usually means that you are adjusting the wrong bleed screw!
If you are sure that you are adjusting the correct bleed screw for the note
being played, and you need more than a minor adjustment, start from scratch
as follows:
1. Back the screw out two complete turns or until the note will not play
at all.
2. Place the continuous play (sustain) portion of the test roll sequence
for that note over the tracker bar and disengage the roll transport so the
roll will not move when you crank.
3. While cranking, slowly turn the screw in until the note starts playing.
Stop turning the screw immediately when the note plays.
4. Turn the screw in an additional three quarter turn. Test the valve by
playing the repetition sequence and make final adjustments if required using
the general rules above.
Valve Cleaning and Adjustment
If the bleed screw adjustment doesn't correct the problem, check to
be sure that the valves are operating freely. Take off the false front of
the organ and look inside below the melody pipes and above the bellows. You
will be able to see the bottom of the valve stems poking through holes in
the alignment board. If you push up gently on the valve stem it should move
freely a small fraction of an inch and fall back to rest freely. Occasionally,
dust on the top of the alignment board gets into the tiny hole in the board
and causes the valve to stick or operate sluggishly. A vacuum cleaner with
a crevice tool almost always takes care of this problem. It's not a bad idea
to vacuum this area occasionally as preventative maintenance, but be very
careful not to touch or damage the valve stems. You can easily do more harm
than good.
Oiling the Crankshaft (Reed organs
only)
I have noticed that some of the new organs that I deliver are much harder
to crank than mine. I recall that mine got somewhat easier to crank as it
got 'broken-in', and it's logical that it should as the bellows leather 'finds'
its permanent folds. The crankshaft is supported at two points. The point
near the crank handle is a ball bearing which for practical purposes will
last longer than the organ and only needs an occasional very light oiling.
The other bearing is a wooden pillow block which requires periodic oiling.
Use three or four drops of light machine oil (3-in-1) every couple of months
or before you play for a long period. The felt under the block is to catch
any excess. I carry a small can of oil and a few paper towels in my cart
and you won't be sorry if you do the same. When you crank there should
be absolutely no up and down or side movement in the crankshaft at the pillow
block bearing. There is a good deal of up and down pressure placed on the
crankshaft by the bellows and it will be very apparent if the block is too
loose.
Adjusting and Oiling the Connecting Rod(s)
Your organ will have one or two wooden connecting rods that connect
the crankshaft to the bellows pump. The wood is split so it will form around
the shaft and is secured with two wood screws. These should be adjusted so
they just hold the rod firmly and there is no extra motion or slack when
turning. Do not tighten them too much or there will be excessive wear. If
the crankshaft feels hot after you have been playing, the screws are either
too tight or the bearing needs oiling. Occasionally, put one or two drops
of 3-in-1 oil in the crack in the top of the rod and let it run down into
the bearing surfaces for lubrication. There are access holes covered with
a round brass disk on the side of the organ so you can adjust and oil the
bottom bearing when necessary without dismantling the organ. The bottom bearings
require much less oiling than the top because there is very little movement
at this connection.
See the next section on Organ Tuning
See also this article on tracing and curing air
leaks
Hal O'Rourke
Action Test Rolls and Tuning
Books
A proper test roll is essential for keeping the bleed screws
in your organ adjusted correctly. My test rolls contain 2 repetition
speed tests, alignment and tempo checks, sustain, response and pipe balance
checks, a wind supply test, and also an octave tuning section. They
come complete with instructions, spool and box (spool extra
on JS Busker test roll). Test books are also available for
most keyless book-playing organs. Please contact
me for details.
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